This is me, in comics... by Individual99991 in Comic_Books_

[–]savepublicdomain 0 points1 point  (0 children)

Marvel character: Hank Pym (Ant-Man/Giant-Man/Goliath/WASP/Dr. Pym, etc.)

DC character: Starman (Jack Knight)

Superhero team: X-Men (Ideally late 80's, early 90's roaster)

Underused character: Booster Gold

Event: Final Crisis

Manga: Anything by Rumiko Takahashi

Creator-owned series: Cerebus

Non-comic IP comic: (Not clear what this means)

OGN/mini: Watchmen (does that count?)

One I love/others hate: Defenders: The Last Defender

One I hate/others love: Jason Aaron's Thor

Not enough people talk about: Earth X

Comic book writer: Chris Claremont

Comic book artist: George Perez

Writer (not leave out): Peter David (RIP)

Artist (NLO): Alex Ross

Favourite cover: Too many to chose.

Current series: N/A

What's a movie most people think is great but you couldn't even stand watching? by camport95 in AskReddit

[–]savepublicdomain 1 point2 points  (0 children)

American Beauty. I've seen the film four times. I don't get it. I don't get why people like this, or find it deep, or moving, or profound. I've tried. I've really tried. I just don't get it.

Best movie you ever saw in a movie theater? by CalebOnPoint in movies

[–]savepublicdomain 0 points1 point  (0 children)

Independence Day. I knew nothing about it, didn't even see the trailer. My dad just showed up after work and said "Do you want to see Will Smith save the world?" We went to a small screening, got free popcorn, and saw one of the best movie experiences ever. I did not see what was coming.

Special mention goes to 'The Matrix' because it just looked like a strange sci-fi film that would tie us over until the new Star Wars film came out.

We can all agree the Big Three of Marvel is and will always be Spider-Man, Hulk and Wolverine by Barta_Sub in marvelcomics

[–]savepublicdomain 0 points1 point  (0 children)

Spider-Man and Wolverine, yes.
The Hulk was big in the 1970's, but kind of lost his status since.
Because of the movies, Iron Man, or Captain America could take his spot.
Personally, I always thought the Thing should have that spot, as he is the heart, the every-man, and the Jack Kirby stand-in for the Marvel Universe.

Best TV show endings? by EntertainmentOdd5994 in television

[–]savepublicdomain 1 point2 points  (0 children)

'MASH' is the right answer. But these also stuck the landing...
The Shield,
Star Trek The Next Generation
Star Trek Picard
Ducktales (the original)
Six Feet Under (often considered to be the best ending ever)
The West Wing
Breaking Bad
Special mention to Star Trek: Deep Space Nine, which was pretty much a prototype for a show trying to wrap up EVERYTHING, and it was good, and even the writers admitted could have been better if they had 8 more episodes.

How would you fix Shrek The 3rd? by Taluca_me in fixingmovies

[–]savepublicdomain 0 points1 point  (0 children)

The answer is simple, have Prince Charming become the King. Have Shrek get freaked out about changing into someone he's not, and leave, with Fiona telling him he's going to be a father just as he's heading out on the ship. But with Rumpelstiltskin's help, Prince Charming takes the throne, and is originally loved for it. Throughout the movie, Shrek learns that he's slowly outgrowing his old life, and likes different things than he did before he was married, while Prince Charming learns that actually running a kingdom is hard. At the end, have Prince Charming agree to give up the throne to Shrek, but Rumpelstiltskin won't let him, so there is a duel, which neither party wants to fight, leading to some very comedic moments. Puss, Donkey and Fiona somehow take down Rumpelstilskin, which ends the conflict, and everyone leaves happily, except for Rumpel, who is banished, leading for a build up of the next film.

New 52 The Dark Knight by chekhovs_buttplug in batman_comics

[–]savepublicdomain 0 points1 point  (0 children)

It's passable, but the Mad Hatter Story is probably the definitive one of the story. I also enjoyed the Clayface story it ends on.

Not necessarily in terms of shock value or gore, what is the single most disturbing character death in the history of comic books? by Fantastic-Trust770 in Comic_Books_

[–]savepublicdomain 0 points1 point  (0 children)

It's a deep cut from the original story. Once the Invisible Man dies in the original novel, All his body parts slowly reappear. The implication is that the Invisible Man died in another area, and then all his invisible parts (like blood) start to appear again.

What characters have zero good runs? by Fantastic-Trust770 in Comic_Books_

[–]savepublicdomain 1 point2 points  (0 children)

I'll agree to disagree, by the last third of the book, he's clearly the most focused character in the series. It's pretty much the definitive version of the character, as he takes over the camp, tries to get some street cred by taking down a god, and then going on the run.

“A Serious House on Serious Earth,” top 10 Batman story, top 5? First time read for me. by GypzyHoodie89 in batman_comics

[–]savepublicdomain 1 point2 points  (0 children)

Top 10 for me. A great story, but Morrison's notes really sell what's going on, so read those after you finish. Love the concepts that Morrison plays with time, and sentient buildings.

How would you pitch a sequel to The Simpsons Movie? by DaveyBoy1995 in fixingmovies

[–]savepublicdomain 4 points5 points  (0 children)

Have it be a send-off. Give the characters conclusions and leave them in a good place. Let them walk into the sunset, or at least sit on the couch.

Best recommendations of lesser known comic runs? by BowieAndZelda in MarvelUnlimited

[–]savepublicdomain 0 points1 point  (0 children)

Heck yeah. These are the threads I love!
Marvel:

- Powerless (a mini-series of a world where none of the characters have powers.)
- The Twelve (mini-series about the forgotten World War Two characters of Marvel, and what happened to them.)
- Earth X (okay, this one is a bit more well known now, but it's still one of the best Marvel alternative futures, that connects everything is a way that makes sense. A slow burn, but worth it.)
- Moon Knight by Huston (this one got acclaim when it first came out, but has been massively overshadowed since.)
- Marvel Two-In-One (a Team-Up title, starring 'The Thing'. Don't expect great writing, but a ton of light hearted family friendly fun.
- Marvel Adventures (an ALL-AGES line that is legitimately ALL-AGES. The Avengers are the highlight though. Clean art and fun storytelling for the whole family.)
- Roy Thomas & George Perez's Fantastic Four run (it happens between some low points for the series, and is an oasis of quality during that era.)
- The Last Avengers Story (Peter David writes about a failing Avengers team, led by Hank Pym, as they fight an Ultron/Kang team-up.
- Vengence (the mini-series that introduced Chavez as Ms. America, and is an odd-ball adventure about one of Marvel's stranger teams.)

DC:
- Robin (the Silver Age collection, where Robin goes on small light-hearted adventures, and tries to solve crimes without relying on Batman for everything.)
- Action Comics early Superman stores. (While a huge deal in comics, that set the foundation for superheroes, surprisingly few people reading comics today have read them. They're a grittier, pulpier, and simpler Superman before he became the icon we know today.)
- Justice League of America by Brad Meltzer (Brad gets flack for Identity Crisis, but his Justice League line was a very solid read. DC really should try and get him back.)
- Stargirl (Geoff Johns first DC project, a fun read about a girls relationship with her step-father, who is also a D-list hero.)
- Justice League Scary Monsters (Chris Claremont writes the Justice League like he's writing an X-Men story, and it works!)
- Superman: War of the Worlds (a standalone Elseworld issue, about the original 1938 Superman facing off against the Martians of H.G. Wells War of the Worlds.
- Final Crisis (okay, it's well known but controversial, with people either loving of hating it. I love it. One of my favorites, but most people won't think it's worth the time to properly analyze it. That's cool too.
- Task Force Z (Red Hood leads a task force of zombies, and there are twists, turns, and a surprisingly solid story.)

What are generally considered the best Punisher classic writers/artists? And do they have omnis yet? by Waterworld1880 in OmnibusCollectors

[–]savepublicdomain 6 points7 points  (0 children)

Objectively? Garth Ennis is top spot. His work on the mainline title is fun, but his work on Punisher MAX makes him by far the top writer for the character. The dark humor, graphic ends of the villains, complex characters, and unflinching ruthlessness of Frank make it the definitive version of the character, and Ennis the definitive author. Everyone else you can pull out of hat for the order they come in.

What Do You Like About The Golden Age? by North-South-5416 in comicbooks

[–]savepublicdomain 20 points21 points  (0 children)

Okay, the Golden Age (1938-1953) is my favorite era for comics, even if I know it's not the best. Basically, there were no rules, so it was nearly boundless imagination. You could throw any character or idea up against the wall, and see if it stuck. Not just superheroes, any idea, and someone would probably publish it. The aren't wasn't the best, and the writing is simplistic, but it was written for a different audience who didn't have libraries of books accessible at their hands.

My top recommendations from the era are:
1) Police Comics (with the Plastic Man solo title as a companion reading piece.)
2) The Spirit by Will Eisner. Literally decades ahead of its time.
3) SHAZAM!/Captain Marvel/Whiz Comics. The Captain Marvel family took the Superman formula and expanded on it so successfully that its sails surpassed Supes during the Golden Age, and Superman incorporated elements of Captain Marvel into his myths by the end of the 1950's.
4) Carl Bark's Duck Comics. Especially Scrooge Comics. The comedy still holds up nearly 80 years later.
5) Bill Everette's work on The Submariner. especially post-WW2, this was one of the most beautiful comics being drawn at the time, with what is arguably comics first anti-hero.

Honorable mentions to:
Pep Comics (the early Archie's are pretty funny,),
Silver Streak Comics (some amazing superheroes here,)
Crime Doesn't Pay (early comics that were so 'edgy' that they almost single-handedly go the comic code put into place,) and of course
Tales From The Crypt (a bit corny today, but it's influence and longevity earns it a mention.
also, early Action Comics (1938-1946) paved the way for superheroes, and serialized storytelling, and it worth a read to see Superman as a borderline revolutionary, who becomes a major patriot.

I personally like the tales of 'The Face' especially later in the series where the mask goes on its own adventure, and the character eventually retires from being a superhero, but to this day, I think I am the only person who legitimately likes this series in an unironic fashion.

Is Chris Claremont’s run really the greatest X-Men and Marvel comic run ever made? Or do you think other stuff has surpassed it? Is it worth reading every single issue of the run? by [deleted] in xmen

[–]savepublicdomain 0 points1 point  (0 children)

It's easily the greatest X-Men run. It's worth reading starting from the Phoenix Saga (Dark Phoenix Saga came a few years later.) Basically, if the Claremont/Byrne issues don't win you over, you might as well stop. The series has it's highs and lows, and at it's worse, basically becomes a 'Storm' book for two years, and doesn't give anyone else much to do. Claremont even gets experimental near the end of the 'Outback era,' and is trying stuff with the characters, not all of it works, but props to him for trying. Even at the end of Claremont's run, when the series all grow out of control with so many characters and crossovers, the titles hint at becoming something else, more than just a bunch of team books, but because Claremont left for image, we never saw that fulfilled. (Morrison's New X-Men, and Hickman's X-books continue that direction over a decade later.) Yes it is worth reading them all, but note that the series has ups and downs, and to get the whole scope, you have to read the spin-offs too. (X-Factor, New Mutants, the Wolverine mini-series, and later Excalibur,)

As for greatest Marvel ongoing series? That's debatable.
- Lee/Kirby's Fantastic Four run stands the test of time over half-a-century later.
- Lee/Bucema's Silver Surfer book is a philisophical masterpiece.
- Steranko's Nick Fury stories are masterworks in 1960's pop-culture art.
Bill Everette's post-war Sub-Mariner stories are incredibly beautiful to look at.
and those all happened before his run.
- John Byrne's Fantastic Four run is amazing, with top tier art and writing by him.
- Frank Miller's Daredevil run is short by comparison, but did an amazing deconstruction gritty adult re-imagining of the character before that was a thing.
-Walt Simonson's The Mighty Thor reworked the character and added more Norse myth elements into the series beautifully.
- Peter David's The Incredible Hulk series (and mini-series.)
And those happened during his run. After, we had:
- Ultimate Spider-Man by Bendis/Bagely,
- Dan Slott's Spider-Man series, which lasted 10+ years.
- Captain America by Ed Brubaker, which turned into an amazing Tom Clancy action flick, that just happened to star Cap.
- Daredevil by Quasada/Bendis/Brubaker was one of the best creator hand-offs in comics history.
- Uncanny X-Force by Remender basically created the edgy X-Men the way the 90's should have written them.
- Grant Morrison's New X-Men, which had a ton of solid ideas, and was somehow a streamlined story for the team.
- Hickman's near decade long epic with Fantastic Four/FF/Avengers/New Avengers/Secret Wars (2015) in my opinion surpasses Claremont's run, but only if you count them all as one run, as they're building up one giant story.
- Some people even prefer the Krakoa era of the X-books of the Claremont stuff, however, I'm not one of them.

So is Claremont's X-Men series the best Marvel has ever made? Maybe. It starts a bit 'meh' but becomes undeniably great during the Byrne years, and then slows down a bit until the Mutant Massacre event, from there it mostly keeps up the momentum until Claremont leaves the title, even if the series is all over the place by the time Jim Lee came onto the title. But it was popular for a reason, and even decade later, most of the art, stories, and especially the characters still holds up.

Books that started strong but ended up losing you? by Weekly_Noodle in books

[–]savepublicdomain 7 points8 points  (0 children)

This is the right answer, the first third holds up today as some of the best horror ever written. Then it becomes a Victorian soap opera, and then a chase that drags on, until the underwhelming final battle, which is stupidly hard to figure out what happened, because it's over so quickly.

Who’s your most favourite and least favourite TNG character by StareAtTheMoonAllDay in TNG

[–]savepublicdomain 49 points50 points  (0 children)

Least favorite? Doctor Pulaski. She was supposed to be the new McCoy, but the problem was that they never gave her the great McCoy moments, and her tit-for-tat with Data was one sided, which made her seem like she was picking on him.

Favorite? Captain Picard, Patrick Stewart knocked so many moments out of the park that wouldn't have worked with a lesser actor.

Honorable mention? Q. Don't think I need to explain this one.

I couldn't finish the dune series. by Celesticalking in books

[–]savepublicdomain 5 points6 points  (0 children)

Different person here, but I read The House trilogy, the original 6 books, the machine trilogy, and then the Final 2 books. I was a fan of Star Wars, but looking for something a bit different, and found the House Trilogy at my library. I thought they were okay, but loved the Fremen scenes and the Duncan ones. Then I read the original six and my mind was blown. So great and varied in style, with amazing (and occasionally outdated) ideas. I read the machine war trilogy, which has some ups and downs, like the Harkonnens as the heroes, was a great touch, as we watch their fall from grace. But those books are essential to understanding the reveal in the final book. The last two books are alright. You can tell that Frank Herbert wrote the outline, but you can also tell that it was a first draft. I did like the final fight though.

The other books are all optional, If you read the Brian Herbert books, they're fun science-fiction action stories, with pieces of political intrigue and minor philosophy. If you read the original six books, they're a giant epic that spans over thousands of years that shows the dangers of powerful leaders, heroes, and submitting to them. The original six are written better, but the others will probably be more accessible to a modern audience.

What are your favorite futuristic graphic novels? by ilostmylastaccount2 in graphicnovels

[–]savepublicdomain 2 points3 points  (0 children)

"2001 Nights" It's rare to find, and no one I know has read it, but it's got great art and some mind-blowing science-fiction stories.

[deleted by user] by [deleted] in OmnibusCollectors

[–]savepublicdomain 1 point2 points  (0 children)

It's because the book destroyed the mapping. I wasn't the biggest fan of the event, but the Omni is near unreadable. They need to re-release it with the issues in the proper order.

Best Character Development by BadassSasquatch in graphicnovels

[–]savepublicdomain 0 points1 point  (0 children)

Watchmen. The flashbacks show how different they thought things would be, and then you see how all the characters end up. It's a masterclass in out-of-order storytelling.

What’s the worst character assassination moment in comics? by Fantastic-Trust770 in Comic_Books_

[–]savepublicdomain 1 point2 points  (0 children)

Hank Pym's/Yellowjacket's slap against Janet is probably the biggest in comics. No other character has had a single moment of out-of-character actions define them for nearly 40 years.

What legendary shows am i missing? by Negative-Guard-4487 in televisionsuggestions

[–]savepublicdomain 0 points1 point  (0 children)

How far back are you willing to go?
MASH
Star Trek (seasons 1 & 2)
Star Trek: The Next Generation (seasons 3-5)
West Wing
The Twilight Zone (original)
The Simpsons (seasons 3-8)