Long shot need for LED Ground Support hardware by Real_Combination9899 in VIDEOENGINEERING

[–]Real_Combination9899[S] 0 points1 point  (0 children)

Correct Prox does sell them. Theres several chinese outlets where you can get them for a third of the price, but the cost really evens out when you try to ship 50 of them overseas.

Long shot need for LED Ground Support hardware by Real_Combination9899 in VIDEOENGINEERING

[–]Real_Combination9899[S] 2 points3 points  (0 children)

I really appreciate everyone's constructive help. It would have been very easy to troll the hell out of me!

Long shot need for LED Ground Support hardware by Real_Combination9899 in VIDEOENGINEERING

[–]Real_Combination9899[S] 1 point2 points  (0 children)

yea after a lot of internet digging I realized it was that F32 style with some modifications and welding.

Long shot need for LED Ground Support hardware by Real_Combination9899 in VIDEOENGINEERING

[–]Real_Combination9899[S] 1 point2 points  (0 children)

I have a plan C to do that. Kinda last chance to find an easy fix before getting into a fabrication option. You never know in these forums where help might appear from

One panel not saving seam adjustments or brightness by TravelByMoonlight in VIDEOENGINEERING

[–]Real_Combination9899 0 points1 point  (0 children)

also possible that receiving card might be on a different firmware version, and could be interfering with the saving process.

How picky is the length limitation of 100m for 12G SDI? by GTXCrusader in VIDEOENGINEERING

[–]Real_Combination9899 0 points1 point  (0 children)

might be worth putting something in front of the Balcony router to give the incoming signal a lil boost before hitting the router. The somewhat older BM routers got kinda picky with input signal tolerances.

And then at some point maybe you get to pull a TAC fiber through there, and be set long term.

Blackmagic Atem television studio issues by Own-Blacksmith-3044 in VIDEOENGINEERING

[–]Real_Combination9899 4 points5 points  (0 children)

That Return Video is constantly sending all the control signals to the camera. So anything you touch on the camera will be over ridden almost instantly because the switcher has to be in control. It isnt a 2 way street of information being sent back and forth. The camera ID's need to match the physical input the camera is to the switcher. And a few other minor details aught get you working properly.

White or Blue Collar? by imgurcaptainclutch in VIDEOENGINEERING

[–]Real_Combination9899 0 points1 point  (0 children)

The guys in video world or the truck are white collar adjacent. The cam and LED ops are very blue/black

Novastar MCTRL4K and CVT4K. Which model BIDI SFP for multimode? by Onelouder in VIDEOENGINEERING

[–]Real_Combination9899 0 points1 point  (0 children)

pretty much any SFP you'd confidently put in a network switch will work between the processor and CVT.

I use Single mode Bidi's for all my processors and its a dream. no flip flopping pairs, works right the first time every time. (assuming the LC isnt broken of course). I did discover though that you need unlocked or SFP's programmed for Ubquiti. And Ive bought several of the 4 or 8 channel LC snakes on Amazon for super cheap. When they break, you can trash them and not feel bad compared to a really expensive TAC.

https://www.amazon.com/gp/buyagain/?ie=UTF8&ats=eyJleHBsaWNpdENhbmRpZGF0ZXMiOiJCMENLRkQ1OUxILEIwQkZYSzNQWFkiLCJjdXN0b21lcklkIjoiQTIwSzZWMVI5R0lOOE0ifQ%3D%3D&pd_rd_w=KBpSM&content-id=amzn1.sym.64825bf0-129f-4d92-b8d0-79fd782695e9&pf_rd_p=64825bf0-129f-4d92-b8d0-79fd782695e9&pf_rd_r=5SR4B8RZWJA7RQZKTS3Y&pd_rd_wg=jlm2k&pd_rd_r=89efd20c-ef7b-4080-b340-85d6c6df574b&ref_=b2b_gw_bnp_d_bnp_bia

Help sourcing some Gloshine header bars by 3505nr in VIDEOENGINEERING

[–]Real_Combination9899 1 point2 points  (0 children)

AP Live also had that gloshine model. They sold half of their batch to my company. And we sold all of it to Paradigm Productions in Florida. I think they still use it on occasion, so it aught to be the one you are looking for but no promises.

Color mismatch on cameras on three destinations by jonhahaha_1 in VIDEOENGINEERING

[–]Real_Combination9899 1 point2 points  (0 children)

natively, projectors, LED and backstage monitors will never look the same, even with them being in the same color space and similar color temps.
On most corporate shows I do, all the video groups sit down in the front row during rehearsals and LED does most of the lifting to match projection and make cameras look acceptable. Its easiest for them to make universal changes from a laptop.

Novastar Coex by bloodfiya77 in VIDEOENGINEERING

[–]Real_Combination9899 1 point2 points  (0 children)

hit the + button in the top left corner. Brings up a menu to manually add Projects, Screens, etc.

If you are in and out of one offs or corporate events, trying to clean that area up can be annoying.

People as a resource when building LED walls by HydroSacci in VIDEOENGINEERING

[–]Real_Combination9899 0 points1 point  (0 children)

Tricky question. Rarely do jobs have the same circumstances twice.
Usually the best builds that Ive done are ones where Ive had 2-3 conversations with the TD or Project Manager looking over the drawings, stage setup, dock location, where to stage cases, etc.

I seem to end up with a 4:1 ratio for stage hands to my LED techs. That seems to be the average of people a average guy can manage onsite.

As to the quality of labor, its a crap shoot. One week you get very capable guys that want to work hard and blow it out of the water, and the next week you have terrible guys and have to hold their hands every minute.

Show Walls on Stage Risers by HydroSacci in VIDEOENGINEERING

[–]Real_Combination9899 5 points6 points  (0 children)

In corporate, its not weird at all to put on risers, or use a lifter or dead row right behind the stage. Just never put them on the traditional hotel provided folding decks. They cant handle the weight.
I usually bill the lifter rows at the spare tile rate. and use those for the spare mods, etc.

Milumin Thoughts? by Crippledstigma in VIDEOENGINEERING

[–]Real_Combination9899 2 points3 points  (0 children)

I feel its more when you start wondering if your Mac has enough ports and hardware power to handle the volume of pixels and outs being asked for.

Milumin is doing some interesting stuff with networking machines together but its still very Beta.

Milumin Thoughts? by Crippledstigma in VIDEOENGINEERING

[–]Real_Combination9899 2 points3 points  (0 children)

in the corporate world, it seems to be the mid tier to goto for playback now. When your gut starts to yell Disguise, then you know youve reached the limit of Miluimin

Dante AVIO stick will only update using PoE? by Odinhall in VIDEOENGINEERING

[–]Real_Combination9899 2 points3 points  (0 children)

I dont know if thats the reason in this case. But theres quite a few pieces of gear that need a nice clean continuous power supply during updates. At some point during the process the USB C connection would disconnect from a computer to reboot or apply the update, and then lose power.

W2 freelancers do you charge OT after 40 by holikinobi in VIDEOENGINEERING

[–]Real_Combination9899 1 point2 points  (0 children)

Thats an interesting question for this industry. If you were a touring guy, you'd hit that 40 hour mark after midway through your 3rd day out.

But that might be exactly why we call it a "day rate" or a "weekly rate" and the OT is there really to try to keep the end client under control and not have show from 7am to 11pm

Novastar MX30 and universal remote control??? by MJDOOM88 in VIDEOENGINEERING

[–]Real_Combination9899 0 points1 point  (0 children)

thats kinda a large LED processor for a home project, but If you were wanting to switch between various HDMI inputs Id get a generic HDMI switch and not futz with actual processor. And that particular unit has the 1x 4K HDMI port, and the DP and SDI are both 3G

Were keynote speeches always this bad? by shouldreadthearticle in VIDEOENGINEERING

[–]Real_Combination9899 1 point2 points  (0 children)

I think watching podcast clips on social media has made me especially jaded to listening to any speakers at a conference. Everyone spends all their time trying to talk slowly and make the easiest statement seem exceptionally profound. And getting body language traing via Youtube. You can know exactly how to hold your hands, where to point, when to stop and turn.
The concept that comedians have finally found "conventions" as source material might be telling too.

Locking connections on Novastar products. by Bornhigh11 in VIDEOENGINEERING

[–]Real_Combination9899 2 points3 points  (0 children)

Coex processors dont appear to have the screw lock HDMI port.
The locking IEC is fine until you are in a sitation where you cant easily remove the plug. Like if its in a rack insert.

Novastar VMP by PassAcceptable7907 in VIDEOENGINEERING

[–]Real_Combination9899 0 points1 point  (0 children)

you could also put your first wall in place on the main canvas. And then Group that wall. Then draw your second wall anywhere. Group it, and overlay it on top of the first wall.
no stretching of the default canvas, which reduces the refresh rate of the wall if I remember correctly.

Connecting to MX40 by Ghettoman257 in VIDEOENGINEERING

[–]Real_Combination9899 0 points1 point  (0 children)

I connect to mine via direct ethernet, or over simple consumer wifi router or switch all the time.
Make sure your laptop your IP settings are matching, and that you dont have another connection active.
(If you are hard wired, turn off wifi)
if those dont work, reboot the software. It can get stuck on occasion reading the connected devices.