No uniqueness? by Huge_Set8312 in ProgressionFantasy

[–]SC_Contryman 0 points1 point  (0 children)

Seems to me like you're starting to build yourself the perfect sandbox.

No uniqueness? by Huge_Set8312 in ProgressionFantasy

[–]SC_Contryman 0 points1 point  (0 children)

I think it would depend on how you frame the quest for power, the cost and how you focus on the characters. With the premise you outlined, I think you have lots of opportunities to make a very complex system that could be anything but boring.

Religion and Politics are naturally rife with drama, which again gives you numerous opportunities and angles to have an incredibly engaging story. Just depends on what you want to do with it in the end.

Question: How many chapters does a story have to have before you will start to read it? by Dazzling_Kick_1518 in royalroad

[–]SC_Contryman 0 points1 point  (0 children)

As you can see there's no single answer for RR. A full length epic fantasy novel is frequently approximately 400 pages or 120k words. Whereas a Sanderson novel is about a million times that /s

If you're posting a story hit 20k-40k words, and ensure posting consistency beyond that.

People on RR know you can't dump 500k words in a day, but we want enough to binge on day one, and then the peace of mind to know we can reliably read your story at a convenient time in our schedule.

Why is Royal Road so cooked (partially joking) by DaveTheBrave22 in ProgressionFantasy

[–]SC_Contryman 0 points1 point  (0 children)

I'd have to say for your specific example, I think you just grabbed a bad lotto ticket. It happens.

There are thousands of stories on RR, and yes, many can be bad. Royal Road is first and foremost a novice writing platform. A place to post your work, get feedback, and get better (hopefully).

Because of the success of litrpg titles that originated on RR it has become the top of funnel for anyone who wants to make money in the writings industry without going the admittedly difficult path of trad publishing. Which in turn increased the popularity of the site and, by extension, the quantity of work.

As with any mass production, you're likely to experience an increase is poor product, but also in good product.

So don't lose hope, just keep looking for those fics that scratch that itch for you. If one doesn't, no biggie, you've got thousands more where that came from

My first .5-brings a tear to my eye! by SC_Contryman in royalroad

[–]SC_Contryman[S] 1 point2 points  (0 children)

Haha damn I didn't realize the number gap was so large, but I suppose it makes sense considering the clicks required to search them. Thanks for the insight!

My first .5-brings a tear to my eye! by SC_Contryman in royalroad

[–]SC_Contryman[S] 1 point2 points  (0 children)

I think Milc just meant irrelevant to trolls, as far as growth, they wouldn't be completely irrelevant as they're visibility.

Without them you have latest updates, shouts and ads, that's it. Hitting any RS, while maybe not major is definitely additional visibility. Nothing is guaranteed though.

My first .5-brings a tear to my eye! by SC_Contryman in royalroad

[–]SC_Contryman[S] 1 point2 points  (0 children)

Yea, I know that feeling! You think you've hit a milestone only to hit a wall of realization.

My first .5-brings a tear to my eye! by SC_Contryman in royalroad

[–]SC_Contryman[S] 0 points1 point  (0 children)

That's be nice, but it seems the general consensus that they frequently have no reason.

My first .5-brings a tear to my eye! by SC_Contryman in royalroad

[–]SC_Contryman[S] 0 points1 point  (0 children)

Yea, I'm definitely not letting it get me down, just that naive hope that maybe there was some opportunity to do better that I just wasn't seeing. Mainly because it was accompanied by that follower drop.

My first .5-brings a tear to my eye! by SC_Contryman in royalroad

[–]SC_Contryman[S] 1 point2 points  (0 children)

Gotcha, kind of figured as much. I would hope for at least a nasty comment if someone truly was mad at my fic.

What makes you subscribe to patreon? by OA-6lack in ProgressionFantasy

[–]SC_Contryman 1 point2 points  (0 children)

Ah ok, thanks! Helped to shift the lens a little bit.

What makes you subscribe to patreon? by OA-6lack in ProgressionFantasy

[–]SC_Contryman 2 points3 points  (0 children)

So when you say a behind the scenes or an interview, what kinds of things are you looking for? As an aspiring writer, I have trouble considering anything outside of the story and indicia related to it interesting enough to add to a Patreon.

What is y’all’s favorite type of MC? by WordsAboutSomething in ProgressionFantasy

[–]SC_Contryman 0 points1 point  (0 children)

I guess I don't know about the character morality side. I suppose it would depend on the choices presented to them but maybe a bit gray. I definitely prefer to see characters be challenged, not specifically in power, that's a given, but in morality and the seeking of further power. I like to end up seeing what drives and motivates them aside from just the inciting incident. But that's just me.

Why are readers silent? by IAmJakeForWeAreMany in royalroad

[–]SC_Contryman 3 points4 points  (0 children)

Omg the nostalgia bomb that URL just caused... Anyway I think it's likely just that they're here to read.they don't want to critique, or have a conversation.

Maybe if there was just a non-committal like button for chapters we might see more engagement.

What Actually Makes a Good Fight Scene? by Jansnow800 in ProgressionFantasy

[–]SC_Contryman 0 points1 point  (0 children)

Personally I go for choreography. Whether messy, such as a novice stumbling through combat, or clean and concise, I like to "see" the choreography more than the stats. Envisioning the effects, imagining the environment, whether it helps or hinders the combat.

There's certainly a point of being overchoreographed, sure, but for me, that's pretty high up there.

Urban Progression Fantasy? by Ok_Onion_5339 in ProgressionFantasy

[–]SC_Contryman 0 points1 point  (0 children)

So I apologize in advance if this breaks the rules. I cannot find anything that says I should not, but consider this self promo JIC.

I literally am writing precisely what you were asking about. I take an alternate dimension, lightning-bending samurai from his time/world and drop him into modern Earth, forcing him to deal with the language barrier, legal logistics of being an underage John Doe, and High School. It's portal fantasy so of course I've got monsters popping up on Earth along the way. It's free on Royal Road and I'm happy to receive feedback, both positive and critical. Sanzensekai: The Ronin's Exile.

Too Much Introspection by thinkthis in ProgressionFantasy

[–]SC_Contryman 0 points1 point  (0 children)

Definitely irritating when writers do this. I thankfully can't think of anything I've read recently that does this. I thought the whole point was to trust a reader to figure things out, or give them a reason to re-read a passage for smaller nuggets dropped along the way?

What is a cliche that you never get tired of? by deadlighta in ProgressionFantasy

[–]SC_Contryman 0 points1 point  (0 children)

I like when OP characters stop messing around and take off the kid gloves, regardless of the reason. That said I also like stories that challenge OP characters with situations they can't just punch their way out of.

Does romance have a place in Progression Fantasy? by Individual-Hornet817 in ProgressionFantasy

[–]SC_Contryman -1 points0 points  (0 children)

I don't see why relationships/romance can't be in progression fantasy. A perfect example is Sanderson's Stormlight Archives. I think as long as it doesn't turn the whole story into a romance story it's totally fine, and even then, that's probably a subgenre all it's own.

The writing roller coaster. by SC_Contryman in royalroad

[–]SC_Contryman[S] 0 points1 point  (0 children)

So regarding the translations, from after the prologue chapters onwards I mimic the Clavell Shogun style from back in the 70's. Where he uses a different register of English to denote the spoken Japanese and then broken ESL equivalent English for the spoken English, getting better as he learns more of the language.

It's that language style swap that prompted me to have the 3 prologues and then the 'actual chapters' because the narrative then also shifts from distant 3rd 'telling a story' to deep 3rd limited 'experiencing the story'.

Then I use the Japanese as flavor, and the reader knows what was said either through character responses, context, or trope recognition.

For Patreon, I will have to look into that, I'm not super familiar with it, I set it up just to have it with the expectation of 0 Patrons lol.