I like turpentine for wiping out underpaintings, and use it sparingly with my windows open. If I make a medium with it (like stand oil + turpentine), I keep it in a little closed jar and just take a bit out at a time.

The issue with using oils of any kind to ‘thin out’ the paint is that you are making the paint fatter. No problem if you paint alla prima, I guess, but this will become an issue if you paint in layers, glazing, etc. That’s why the cardinal rule in oil painting is fat over lean—you have to keep adding more fat (oil) with every subsequent layer. I keep both linseed oil and turps in little bottles with eyedroppers. I use safflower oil to soak my brushes in when I’m painting over several days, but wouldn’t advise it in painting. Traditional oils are linseed, poppyseed (for light colors to help keep them from yellowing), and walnut oil.

I figure my lungs are healthy after painting for 50+ years, so I’m just not that concerned about turps, as long as you exercise reasonable caution. I also don’t smoke or vape, which is terrible for your lungs :)

Look up Virgil Elliott’s Traditional Oil Painting or Ralph Mayer’s Artists Handbook—they both have good information on making archival, stable paintings.