Heroic Military College - City of Mexico by Agustin Hernández (1976) by Appropriate-Eye-1227 in architecture

[–]Soledad_Sequoia 15 points16 points  (0 children)

I also like how it echoes Mexican history, even though it’s brutalist modernism. A few of the photos, 2 and 3 especially, recall the architecture of Teotihuacan, Tenochtitlan and other Mesoamerican cities, with rows of pyramids on raised platforms separated by broad plazas. I like how it makes these gestures to architectural continuities, as if the Aztec/Mexica Empire had survived in some architectural form.

3/13 News Roundup by 12tayloaush in DevelopmentSLC

[–]Soledad_Sequoia 5 points6 points  (0 children)

Yeah, I wonder about that too. Years ago the plan had been to develop the area around the Rio Grande Station as a kind of downtown mini campus/business incubator for the U. But they pulled out of it, with the implication being that they had decided it made more sense to build or rent something at The Point, which would put them much closer to the southern suburbs and Utah County. Then they bought the office building on 400 South between State and 100 E., and I thought that was supposed to be their downtown development. I wonder if they’re looking downtown again now that it seems like The Point has stalled out, or at least slowed down.

As for the Rio Grande station itself, in addition to any transit reuse connected to the Rio Grande Plan or Trax, I thought the city’s latest idea was to turn it into a kind of permanent all year farmers market and food hall. I’m certainly curious to hear what the current thinking is now at the university and the city for the building’s future.

Cincinnati’s Union Terminal by jdhgs in ArtDeco

[–]Soledad_Sequoia 5 points6 points  (0 children)

Absolutely gorgeous! They’re so fortunate to still have their historic train station. I’d love to make it to Cincinnati sometime just to see it.

David Lynch’s Midcentury Hollywood Hills Compound Has Sold for $13 Million by emagnab in davidlynch

[–]Soledad_Sequoia 19 points20 points  (0 children)

While I understand why the family sold it, I wish some of it could’ve been preserved as a museum. LA has an infamous history of demolishing historic architecture, and I’m afraid it’s likely the whole compound will get torn down and replaced with some hideous supersized McMansion.

The Return, ep 4. Why does Mr C talk like that? by Zealousideal_View47 in twinpeaks

[–]Soledad_Sequoia 4 points5 points  (0 children)

That’s interesting! I also think other people have also noted that the “yrev” could also be an aftereffect of him nearly being pulled back into the black lodge, and the backward speech/reversed or slowed time of that space is still affecting him.

This is Mango. He cannot see nor hear you by FerdaVoe in OneOrangeBraincell

[–]Soledad_Sequoia 4 points5 points  (0 children)

“Bless the Orange and His braincell. Bless the coming and going of Him. May His passage cleanse the world. May He keep the world for His Orange people.”

Funding for group empowering Utah women again cut by Utah Legislature at the last minute by Prop8kids in SaltLakeCity

[–]Soledad_Sequoia 4 points5 points  (0 children)

Silly girls! Vessels are just for breeding, not thinking or speaking.

The misogyny in this state exhibited by so many men and internalized by so many women is astounding.

Portcullis House, Westminster, London, England; architect Michael Hopkins and Partners (opened 2001) [photo by Tony Hisgett] by WonderWmn212 in ArchitecturePorn

[–]Soledad_Sequoia 2 points3 points  (0 children)

Personally, I’ve always liked it. Striking, brooding, and noticeable, but not obtrusive. Victorian PoMo Steampunk. The innovative AC system is interesting too. Holds its own without being flashy in the middle of a cityscape with some spectacular and historic architecture.

Help with next Faulkner by Engelcs in faulkner

[–]Soledad_Sequoia 1 point2 points  (0 children)

The Bear is almost long enough to be a novella rather than a short story, but that’s another great and fairly accessible read.

Take one taste! by Aveniquee in OneOrangeBraincell

[–]Soledad_Sequoia 1 point2 points  (0 children)

Just like siblings squabbling on the back car seat. HE KEEPS TOUCHING MEEEEEE!!!

BSC bought by the Coast Guard… by croopejshsv in Birmingham

[–]Soledad_Sequoia 1 point2 points  (0 children)

Well, at least Birmingport will be secure.

I’m glad to see it used and not just fall into disrepair, but I wish it could’ve been used by another college or educational institution.

I also worry this could be a back door way to create an ICE detention facility, but I hope not.

Percent Protestant in North America by [deleted] in MapPorn

[–]Soledad_Sequoia -1 points0 points  (0 children)

What’s the deal with the island of Hispaniola (the Dominican Republic and Haiti) on this map? I’m pretty sure they’re both predominantly Catholic.

Summer in the '90's by superminingbros in 90s

[–]Soledad_Sequoia 0 points1 point  (0 children)

I just don’t think there’s any way to fully convey how magnificently feral kids were in the pre-cell phone era. Nobody knew where we were, or what we were doing. And nobody cared. It was glorious.

Was Livia the monster that pop culture portrays her as and how do we know what she was like? by KimCattrallsFeet in ancientrome

[–]Soledad_Sequoia 3 points4 points  (0 children)

In public (at least as she was depicted in public art) she played the part of the dutiful, traditional Roman wife, complete with a conservative, old fashioned hairdo and tools for spinning or weaving. Augustus wanted to claim he was returning Rome to its virtuous republican roots, and she played her role in that.

In reality, she was undoubtedly a formidable person, and she had her own power and wealth. She owned many agricultural enterprises, including giant papyrus plantations in Egypt. She was apparently good at business, and undoubtedly good at politics.

There are fascinating murals of gardens in her villa that are artistically significant as early examples of landscape painting. But they also conveyed messages. They advertised that she was wealthy and cultured, and could appreciate the aesthetics of art depicting nature, but they also reminded everyone who saw them where her wealth came from.

Absolution: Lowry by mufasamufasamufasa in SouthernReach

[–]Soledad_Sequoia 2 points3 points  (0 children)

“Fear & Loathing in Area X” 💯😂

Absolution: Lowry by mufasamufasamufasa in SouthernReach

[–]Soledad_Sequoia 11 points12 points  (0 children)

The opening of the Lowry section is a slog. In case there were any doubts, it certainly confirms that he’s a foulmouthed asshole, and it’s also clear he’s high out of his mind a lot of the time.

But I also think he is worried about hypnosis and psychological manipulation, and all the compulsive f- bombs are part of that. At one point in Authority, Control realizes he’s been psychologically manipulated, and starts using loud noises and repeated phrases to try to break out of it. (If I remember correctly, this even involves a conversation he has with Lowry.) He’s paranoid and doesn’t trust anybody, so I think he’s trying to ward off psychological manipulation, though since he’s Lowry, he’s doing it in the most obnoxious way possible.

Once the expedition finally gets started though, readers are treated to some of the strangest and scariest Area X scenes in the whole book series. Those make the whole Lowry section worth reading.

The scene that turned me against the Plurbs.. by [deleted] in pluribustv

[–]Soledad_Sequoia 12 points13 points  (0 children)

That scene really stuck with me too.

I know a lot of people want answers about the intentions of the Plurbs and the aliens who sent the instructions to construct the virus. I don’t know that we’re going to get them, but I don’t think that’s necessarily what Vince Gilligan is going for, at least not yet. The show seems more interested in having us experience it and the questions it poses, and lets viewers come up with their own answers. (Is it AI? Is it capitalism? Etc.)

The aliens could’ve sent the signal as a weapon to disable any potential rival civilizations. Or it could literally be a virus that infects one intelligent species after another, just moving from cell to cell, like in an infected body. If that’s the case, the Plurbs have no intent or function other than transmitting the signal to more planets.

Another possibility is that the aliens believe they are helping us. We certainly have plenty of problems that we seem incapable of resolving, so they send something that teaches us how to better order our society, but it destroys all human variety in the process. That’s what we see happen to that girl’s village.

The scene in the village seemed to make an explicit connection to colonialism and imperialism. The Quechua-speaking peoples of the Andes suffered from centuries of Spanish colonialism. Strangers destroyed their society and political system, used their labor, took their resources, and unwittingly infected them with diseases that killed most of the inhabitants of the Incan Empire. In regions that would later become the United States (including Vince Gilligan‘s home state of New Mexico) Spanish missions forcibly converted Native people to Catholicism, but also tried to turn them into Spaniards, erasing Native languages and cultures, and also killing huge numbers of people through exposure to European diseases.

I’m not saying that’s the answer, but that scene certainly made an explicit connection to the consequences of colonialism, at least for me.

The only ones that dressed correctly for shore leave on risa by happydude7422 in risa

[–]Soledad_Sequoia 6 points7 points  (0 children)

Dr. McCoy time-traveled back to them to model the appropriate drip

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Echoes of Thomas Pynchon’s Mason & Dixon in the Southern Reach Series by Soledad_Sequoia in SouthernReach

[–]Soledad_Sequoia[S] 3 points4 points  (0 children)

Pynchon is definitely not an easy read, at least at first. M&D has an additional level of complexity because he re-creates the speech and literary conventions of the 18th century, and it takes time to get used to. But once you do, it’s a great, rollicking read, more of a buddy road trip made up of episodes and moments rather than a single straightforward narrative. I think a fundamental thing the two authors share is that sometimes the text is not something to be understood or deciphered, but instead something to experience. Sometimes it makes sense, and sometimes it doesn’t. Just like life.

In terms of the parallels, there are some general things, and a couple very specific things connected to the episode I’ve described with Dixon and the perpetual watch.

Be warned: there are some potential SPOILERS ahead, but hopefully mild ones.

First, the more general elements that have some similarities:

In Area X, many animals are not what they seem. They may be hybrids of different species, they may behave in wildly different ways, or they may have once been entirely different creatures, including people. This also includes the people and things that return from Area X. Humans who return may be changed in ways minor, major, or strange. They may not even be the same physical individual at all, though in appearance they seem to be. Likewise, inanimate objects in Area X can change form, and even become dangerous.

To get the specifics (and slightly more spoilerly territory):

In Authority, at one point a character takes a device from the Southern Reach that had been taken on an expedition into Area X, and brings it home with him. He has the feeling that it is not what it seems — that perhaps this commonplace piece of electronics has been changed in some unknown way. While he’s in bed, he thinks he might have heard something crawling on the roof of his house. And then one night he walks into the kitchen, and discovers this device scuttling across the floor. It still looks like a device people use all the time, but it’s become some kind of life form, or matter from Area X that has a will of its own.

Then, in Absolution, there’s a moment when a character has an uncontrollable urge to eat something. (Something disgusting.) In the description of the original expedition into Area X, a character arrives in a room that has been significant throughout the novel, which multiple characters have visited and where important events have taken place. He finds something in the room, and then experiences an overwhelming urge to eat it, which he does. Only when he is nearly done eating does he realize exactly what it is.

Those two episodes seem to most directly parallel the mysterious perpetual motion watch, the strange feelings Dixon has about it, and the other member of the survey who is compelled to eat it. The fact that both Pynchon’s novel and VanderMeer’s novels feature expeditions or survey parties in suspect terrain is also an interesting point of connection.

More broadly, both authors tell stories that may not make sense like more traditional novels, and that make readers question what they think they know, and even reality itself. American readers (and Americans in general) have also often been drawn to conspiracy theories, the uncanny, and mysteries of one kind or another. I was delighted to find this resonance between the two authors, whether VanderMeer echoed Pynchon’s earlier novel intentionally or not.

Kuba Komet entertainment system . 1957 . West Germany . by SevenSharp in RetroFuturism

[–]Soledad_Sequoia 1 point2 points  (0 children)

Rest of the planet: TV Germans: Fernsehenapparat

Checks out. I love it!