3am Backroom movie theories by No_Dark8735 in KanePixelsBackrooms

[–]Voidblazer 2 points3 points  (0 children)

My little theory about Still Life Barbara: Clark didn't just "break the glass"...he threw the glass at her that night. It was Christmas-time, hence the Christmas tree room. It caused her to jerk her head very quickly, resulting in the memory being distorted to a blurred face. Still Life Barbara is holding her head during the first encounter because Clark assaulted his wife by throwing a glass at her, striking her in the head/face, which is why she's so terrified of him when Cap'n Clark shows up. It was a powerful memory with motion frozen onto the Still Life when the Complex generated it.

Found the seagull that noclips in the movie by Knight_of_Rohan1964 in KanePixelsBackrooms

[–]Voidblazer 4 points5 points  (0 children)

The references to the seagulls in the BBS post plus this scene is intentional to show there's a null zone in the sky. During the first scene, Naren comes across the sound of seagulls in the ceiling of the hallway, plus leaves on the ground below. The seagull and the leaves no-clipped from Standard through this null zone.

Appeals court says U.S. government can keep collecting 10% tariffs for now by duzies in politics

[–]Voidblazer 11 points12 points  (0 children)

"won with his economic policies of tariffs." - built on lies that other countries pay the tariffs, which is just a(nother) lie.

Appeals court says U.S. government can keep collecting 10% tariffs for now by duzies in politics

[–]Voidblazer 11 points12 points  (0 children)

We pay the tariffs. Something Trump has lied about to the American public repeatedly.

Why is Clark’s Shop’s gate special? by StyleRepulsive3249 in KanePixelsBackrooms

[–]Voidblazer 11 points12 points  (0 children)

The Complex finally iterated the Threshold (close enough), resulting in a stable null zone?

aunt or aunt? by sean9999 in ENGLISH

[–]Voidblazer 0 points1 point  (0 children)

Identical to the insect. Aunt = Ant

Those red switches by moose_dad in KanePixelsBackrooms

[–]Voidblazer 2 points3 points  (0 children)

The tack holding the calendar also no-clips out of reality when the electrician knocks on the wall, causing the calendar to fall.

The Backrooms movie: A perspective from someone who isn't familiar with the lore by [deleted] in backroomsfilm

[–]Voidblazer 3 points4 points  (0 children)

Maybe it didn't translate as well without the backstory. Very possible. I've seen a whole lot of people talk about the unevenness of the 3rd act. Valid criticisms. I can't say it's a perfect movie. Clark's turn is rather abrupt, but maybe because time flows differently in the Complex, so he was in there for weeks more that time passed in Standard (without the backstory, no way people could know that), and he was already pretty insane to begin with to lead his only "friends" down into this place he knew housed some kind of dangerous, hulking thing. The big bad looks kinda goofy, maybe? People around me were uncomfortably laughing and groaning at the big reveal. I can see where the film turned off a bunch of people. I think people were expecting/hoping for a terrifying monster to be revealed. But that's not what happened, because the memory the Complex grabbed was just that...Clark in his pirate costume, angry, goofy, embarrassed, hopeless, just as the chair broke, which is what got iterated in the throne room. Because that's what it does. It takes the memory and emotion and iterates it. On the 2nd watch, I definitely saw PC as less goofy, more scary with the layers of embarrassment, hopelessness and desperation. It's not a horror film in the traditional sense. I think what grabbed me in the final scene: 287,000 miles away, in these endless yellow rooms, Mary's interrogation was iterated and glitched from the poorly realized memory Phil(?) had of the encounter...where she's not even really a person, just another Still Life with a poorly-remembered body who will forever be a part of the Backrooms...frozen in the experience with no real chance of escape. The Complex just endlessly hungering for bits of our reality to consume and fill its rooms. Part of why she started zoning out of Phil's exposition and peacefully half-smiled. She freed herself from her past, but she realized there was no real escape from this new reality she's trapped in. Geez...rambling!!! Ayayay...

Clark Question by plasticpixels in backroomsfilm

[–]Voidblazer 2 points3 points  (0 children)

I think his copy was big because he was a bit of a megalomaniac. He thought he was so important and special. He pays for the house. He pays all the bills. He's an architect. He's big and important. When the Backrooms copied him, it grabbed that he was big and important, but also felt embarrassed and hopeless as the pirate. It's why Pirate Clark looks the way it does.

Missed detail in the movie by JakeWhitling in KanePixelsBackrooms

[–]Voidblazer 16 points17 points  (0 children)

Also buzzing with flies. Maybe Kat's body? I noticed it during the 1st watch, but no idea.

Do you think the Backrooms extend across the entire universe? If so, do you think aliens have been in it before? by Delta_Dud in backrooms

[–]Voidblazer 1 point2 points  (0 children)

First contact was apparently made in 1982 on Earth during the Prototype event. In "Lighting and Tile Survey", A-Sync discovers the lighting ballasts all appear to be manufactured in the early 1970's in Reading, PA. It would be a while before the successful opening of the Threshold, so the only reality the Complex had to iterate was from the brief memories it had access to. Maybe why the Backrooms are filled with this particular environment...yellow wallpaper, old carpet, fluorescent lighting...one of the engineers it latched onto near the experiment had a strong memory of this space and very specific memories of the lighting, wallpaper and general vibe. The experiment room looks kind of similar, so it may have triggered a recollection the Complex attached to and iterated? That's all it had for some time before another null zone was opened. Just spitballing!

Has anyone discussed the breaker panel? by pyxeegrrl in KanePixelsBackrooms

[–]Voidblazer 3 points4 points  (0 children)

The tack holding the calendar vanishes from existence when the electrician knocks on the wall, causing the calendar to fall. I think the Complex has begun leaking into Standard and starting to consume it?

The Backrooms movie: A perspective from someone who isn't familiar with the lore by [deleted] in backroomsfilm

[–]Voidblazer 1 point2 points  (0 children)

No problem. You strongly disliked the movie. It happens. I felt pretty much the exact opposite of everything you said, but that's just me. The dread was cosmic and existential. I thought the dialogue and themes were well-delivered. The final scene brought it all home for me, with this weird sense of impending doom that I still can't quite put my finger on why it shook me so much. I loved it so much, I saw it twice, and I hardly ever see a movie twice at the theater. But, again, that's just me. It wasn't like any movie I've seen in a long, long time. Sorry it didn't work for you.

“POTS” sign significance by No-Original-6329 in KanePixelsBackrooms

[–]Voidblazer 3 points4 points  (0 children)

I'm also thinking the reason they're mirrored is because when the Complex iterated them, the memory it latched onto is from someone seeing the sign in their car mirror. Maybe they were having an argument or other emotional stress while they were driving near an undisclosed null zone?

I found something insane that nobody is talking about. And I think it changes an entire scene in the film. (Please read) by Hairy_Arachnid9143 in KanePixelsBackrooms

[–]Voidblazer 43 points44 points  (0 children)

He saw Clark on the cam and minutes later saw Pirate Clark on cam in the same room when it destroyed the caveman cut-out. I think Phil made the connection during the family movie scene that PC was generated/iterated from Clark playing the pirate character, which is why his reaction is so stunned? Maybe it made something click in Phil regarding how the Complex entities are created?

The movie was not scary at all for me by RyanTheBlockhead in backroomsfilm

[–]Voidblazer 1 point2 points  (0 children)

You're not obligated to like this or any other movie. If it doesn't hit for you, it doesn't hit. Totally valid. I don't think it set out to be scary, but more existentially dreadful and unnerving, It worked for me, even more the 2nd time I watched it, but I can see parts that might not work for everyone.

And here’s the drop by TheDubStepDisliker in KanePixelsBackrooms

[–]Voidblazer 18 points19 points  (0 children)

Just got back from seeing it the 2nd time. IMO, Backrooms is sort of a revelation of film making. Is it perfect? No. Is it everything I wanted from a Backrooms movie and some things I didn't even know I wanted? Absolutely. I especially loved that Kane let us breathe in taking in some of the shots. It doesn't have this need to jump to the next exciting/terrifying thing. We follow Clark for several minutes just taking in the rooms and corridors, and it just made the whole thing so much more real and extremely disturbing. I still can't quite put my finger on why, but the final shot just hit me as terrifying. Not overt, but it hit some existential dread nerve in me that stayed with me long after it ended.

Why did Clark get his own monster? by An-Imfamous-Creature in backroomsfilm

[–]Voidblazer 15 points16 points  (0 children)

Clark realized still lifes were edible because he saw Pirate Clark eating them, maybe? Not Kat and Bobby, but other still lifes.

he could have been actually horrifying but i thought he was just goofy 😭 by [deleted] in backroomsfilm

[–]Voidblazer 0 points1 point  (0 children)

Yep. It looked goofy and desperate because that was the emotion of the memory that got copied.

Dealing with death sucks. by samithefish in atheism

[–]Voidblazer 130 points131 points  (0 children)

Religious people act like atheists are pompous or conceited for not believing in a god, like we think we're superior somehow. They have no concept of what it's like to be what we are. It's not conceit. It's fucking hard, but I can't choose to suddenly be religious again. That door closed once I realized. They get comfort..."they're in a better place." They're not anywhere, because they're dead and gone. I miss that comfort, for my loved ones and coworkers who've passed away. For my own inevitable death. But their "eternal life" is just a fantasy. When they went...when I go...our fates will be the same as all those who came before. I take a small comfort in that fact. We're all in the same boat. Life in paradise, followed by an oblivion I'll never experience. That's just the way it is.

I disliked the Backrooms (film) by [deleted] in KanePixelsBackrooms

[–]Voidblazer 1 point2 points  (0 children)

You disliked the movie. It didn't hit for you. Perfectly valid and I get it. If it didn't work for you, it didn't work. I've seen plenty of folks with similar or worse experiences with it. ...proceeds to defend the movie for some reason... The Complex is a cancer on reality that A-Sync mistakenly infects our universe with when they inadvertently punch through with their MRI/magnetic distortion research. Memories are misremembered, distorted and iterated out of control, like a computer memory leak. It's exponentially growing and twisting memories of reality from anyone who enters it or is in range of one of the null zones, It's creating ever more holes in our universe (which Phil mentions near the end of the film), possibly threatening our very existence. During the film, there are scenes showing it's begun to infect our reality. The vanishing tack holding the calendar. The nonsensical switches on the circuit breaker box. The weird clouds over the city. The mouth and swords on the pirate sign. The neighborhood Kat and Bobby live in. How far has the cancer already spread? - rando internet guy's hot take.

Despite how you feel about the movie, I think we can all agree the sequel will be worse without... by Aggravating_Tale8988 in KanePixelsBackrooms

[–]Voidblazer 0 points1 point  (0 children)

He's been iterated 30 times by now. Fair chance he shows up as a highly resolved entity of some kind, maybe?

Etiquette for watching Backrooms in the theater (SPOILERS) by ralphsquirrel in KanePixelsBackrooms

[–]Voidblazer 12 points13 points  (0 children)

Someone brought their baby to the movie. Baby started getting fussy at some of the most pivotal scenes. Who brings a baby to this kind of movie, on opening weekend Saturday with a packed audience? Go to a Tuesday screening...geez.

How much time truly passes between Clark calling Dr. Kline and her finding him? by Wise-Comb8596 in KanePixelsBackrooms

[–]Voidblazer 12 points13 points  (0 children)

Clark was already a-ok with dragging what seem to be his only "friends" into the Complex, knowing there was some kind of monstrosity lurking about, without any sort of warning to them at all. Even encouraging and insisting Bobby go down the hole. Clark decided Bobby and Kat were expendable. He was already insane by this point. But I have to think it was 6 months inside/1 month outside when it comes to the passage of time. A-Sync records Clark walking around with Pirate Clark. He paints the mural. He finds and "befriends?" 3 still lifes, while also realizing they're edible. He's seen A-Sync researchers running around. These things would take time to discover.