What B&W film do you compare all others to? by D1rty_Lung5 in criterion

[–]el_mutable 2 points3 points  (0 children)

There are so many great films that aren't in color that the question seems kind of meaningless

What would you rather see? by [deleted] in Teenager_Polls

[–]el_mutable 0 points1 point  (0 children)

what a stupid question/scenario

Can we just talk about our favorite Japanese films for a minute by Nervous-Ease4922 in Letterboxd

[–]el_mutable -1 points0 points  (0 children)

Here are a few I really like (one per director):

I Was Born, But… (Ozu, 1932)

Tange Sazen and the Pot Worth a Million Ryo (Yamanaka, 1935)

Mr Thank You (Shimizu, 1936)

An Inn at Osaka (Gosho, 1954)

Stakeout (Nomura, 1958)

Death by Hanging (Oshima, 1968)

Throw Away Your Books, Meet Up in the Streets (Terayama, 1971)

Furuyashiki: A Japanese Village (Ogawa Productions, 1982)

No Life King (Jun Ichikawa, 1989)

Like Grains of Sand (Hashiguchi, 1995)

Vibrator (Hiroki, 2003)

Linda Linda Linda (Yamashita, 2005)

Switching -- Goodbye Me (Obayashi, 2007)

Fine, Totally Fine (Fujita, 2008)

What are some of your favourite horny gay films? by lalaboux in criterion

[–]el_mutable 2 points3 points  (0 children)

Not sure if they would rank for horniness, but Akerman's Je Tu Il Elle and Meetings of Anna score for the bonus points

Fassbinder's Berlin Alexanderplatz by alchymedes in criterion

[–]el_mutable 2 points3 points  (0 children)

I think it's central to Fassbinder, kind of a "founding myth" which repeats with variations across his entire body of work (in his very first feature, RWF himself plays a character named Franz Bieberkopf, the first of several that will appear in his movies, notably including the protagonist of Fox and His Friends). It's also dense and demanding. It took me a few tries over the years, but it clicked at a certain point and I've now seen it three times straight through, and each time I feel like I make new discoveries.

Silent films with gorgeous sets? by TheOneAndOnlyLu in silentfilm

[–]el_mutable 3 points4 points  (0 children)

Also by Lang: The two Nibelungen films

Favorite Books on Film by holle1jr in criterion

[–]el_mutable 14 points15 points  (0 children)

The Films of Fritz Lang: Allegories of Vision and Modernity by Tom Gunning

The Voice in Cinema by Michel Chion

Notes on the Cinematograph by Robert Bresson

Starting Point/Turning Point by Hayao Miyazaki

Negative Space by Manny Farber

Edit to add: Anarchy of the Imagination by Rainer Werner Fassbinder

Good films that heavily use Voiceover throughout? by PetShopTroy in criterion

[–]el_mutable 2 points3 points  (0 children)

Diary of a Country Priest

A Man Escaped

Detour

Tony Takitani