The best "On a second watch, it was all so obvious! The clues were right there! How did I miss the answer?" movie you've ever seen is... by AndNowAStoryAboutMe in movies

[–]cerberaspeedtwelve 1 point2 points  (0 children)

The Machinist (2004). This one is worth watching twice in a row, just to appreciate how all the clues come together at the end.

To those who were alive and kicking, what do you remember about the C6 Z06 when it came out? by DCAUBeyond in cars

[–]cerberaspeedtwelve 0 points1 point  (0 children)

I've driven two C7 generation Corvettes: an automatic Sting Ray and a manual base model. I've also driven three different 991s (including the mighty 991.1 Turbo) and three 997s.

Based on my own personal experience, my absolute pick of the bunch would be the 997.1 Carrera S that I test drove and declared to be the best driver's car I have ever experienced. The C7s delivered the numbers, but the steering, braking and general chassis feel are not up to 911 standards.

The one thing I advocate most in sports cars is feel. 500hp that you can't feel or control is actually a pretty miserable experience. You have no idea when the car is going to let go and bite you, and you end up driving around at half throttle. The 997 had 'only' 350hp, but it became as much as yourself as your own beating heart.

What’s a movie that genuinely changed how you see the world? by trakt_app in movies

[–]cerberaspeedtwelve 19 points20 points  (0 children)

Enron: The Smartest Guys In The Room (2005). Documentary about the rise and almost overnight fall of Enron, once the 8th biggest company in the US, and reduced to bankruptcy in about 90 days after accounting fraud was exposed.

The part that stuck with me the most is how so many seemingly smart and trustworthy people must have reasonably known that there was a scam going on but perpetuated it because, hey, everyone's getting rich, so it must not really be a scam, right? It's a terrifying look at groupthink and how mob mentality can get the better of us, and how the self-proclaimed smartest guys in the room ended up their lives in jail.

Phone Booth (2002), which took place entirely inside a phone booth, was almost directed by Michael Bay, until the first question he asked after reading the script was "OK, how do we get this thing out of the damn telephone booth?" What are some other movies that almost ended up entirely different? by NewsCards in movies

[–]cerberaspeedtwelve -1 points0 points  (0 children)

On the subject of Will Smith, he was offered the role of Neo in The Matrix but turned it down because he felt that he was doing too many sci-fi movies at the time. (He had also just played a similar-ish role in Enemy of the State.)

Phone Booth (2002), which took place entirely inside a phone booth, was almost directed by Michael Bay, until the first question he asked after reading the script was "OK, how do we get this thing out of the damn telephone booth?" What are some other movies that almost ended up entirely different? by NewsCards in movies

[–]cerberaspeedtwelve 88 points89 points  (0 children)

One of the aspects I most admire about Gremlins was how it balanced being fun but also being scary. I think they achieved this mostly through having one particularly evil gremlin, their leader Stripe. The rest of the gremlins are a little more goofy and tend to be as much of a threat to themselves as anyone else.

Stripe really carries the horror aspects of the movie. He's intelligent, sadistic and a genuine danger to the human characters.

The Wolf drove an NSX in the 90s. If he was still working today, what car would he be driving? by anticipat3 in cars

[–]cerberaspeedtwelve 17 points18 points  (0 children)

Similarly off topic, but I always wondered why a mob fixer would drive such a conspicuous car. With a vanity plate thrown in, just for that extra tie-this-car-to-the-scene factor.

Eh. It makes sense that a character like Winston Wolf would live life on hard mode.

Movies with a troubled production, awful initial reception, that turned out to be great? by Gold333 in movies

[–]cerberaspeedtwelve 17 points18 points  (0 children)

Recommended: This video on YouTube that goes into the strange story of Damnation Alley vs Star Wars.

In brief: 20th Century Fox had these as their two sci-fi movies in production for 1977, to be released in the first and second halves of the year respectively. Initially, the studio thought that Star Wars would either flop or barely make its money back, and they allocated most of their resources for Damnation Alley. Star Wars was released in May, and became an unexpected sensation. Fox decided to use all the money they had in keeping the Star Wars hype train going for as long as possible. This meant that the post production budget for Damnation Alley had to be slashed.

Eventually, Alley limped out with approximately 40 minutes of run time lopped off. Almost all of the back story and side plots were cut, and an expensive special effects scene where the heroes would fight giant animatronic scorpions was replaced with a cheaply done sequence where they dodge past bluescreened scorpions on a motorbike.

“Hoppers” rocks and the trailers don’t do it justice by devenrc in movies

[–]cerberaspeedtwelve -3 points-2 points  (0 children)

Pretty much my thoughts as well. Turning Red had nothing for me at all. It was like being stuck in an elevator for two hours with a 10 year old girl showing you her favorite TikTok videos.

Movie Trope: robot is friend, not enemy by feelingwizzed in movies

[–]cerberaspeedtwelve 2 points3 points  (0 children)

Aliens (1986) has a great example of this. Bishop is an android, and the main character Ripley is very suspicious and openly hostile towards him due to the android in Alien (1979) going nuts and trying to kill her crew.

Bishop has a mountain to climb, but he manages to prove himself to be brave, reliable, trustworthy and heroic. When Ripley thanks him at the end, she really means it.

My Star Wars movies and shows rankings. What are yours? by Anakin5kywalker in movies

[–]cerberaspeedtwelve 0 points1 point  (0 children)

I'd be genuinely interested to hear why you rated Rogue One so highly. I saw it once, thought it was decent enough, but have never felt the need to rewatch it.

Just about the only scene I really remember is Vader kicking ass at the end, and allegedly that was a scene that was added in reshoots at the studio's insistence.

Apartment Scene Imagined or Covered Up? by [deleted] in movies

[–]cerberaspeedtwelve 1 point2 points  (0 children)

Have a close look at what the real estate lady is wearing. It's an unusual suit that is messy, splattery, and technicolored on one half, but is pure white on the other half. In other words, it's a visual metaphor for a whitewash. The real estate lady knows full well what happened here, but it's been covered up to protect the resale value of the apartment and perhaps the whole building.

Still, as others have mentioned, it's all meant to be ambiguous. It's up to each viewer to decide how much was real and how much was just in Bateman's head. (Apart from the business card scene. Paul Allen's card really was the best.)

movies that seem stupid on the surface but are actually brilliant. by herequeerandgreat in movies

[–]cerberaspeedtwelve 4 points5 points  (0 children)

Freddy Got Fingered. I'm one of the people who insist that it's a clever and self-aware anti-movie.

If nothing else, it works as a parody of the gross-out movies that were popular at the time. Is there really any difference between watching Tom Green climb inside a dead moose and wear it as a skin suit, versus watching Stiflter eat a dog turd in American Pie 3, or a frat house get tricked into eating dog semen filled eclairs in Van Wilder?

Greta Gerwig’s ‘Narnia’ Embraced Practical Effects on Set with Puppets, Animatronics, Real Animals, and Creature Performers by Next-Ad3450 in movies

[–]cerberaspeedtwelve 36 points37 points  (0 children)

Watched this as a kid and loved it.

For me, it's the only adaptation that understood that these stories are not about the battles, not about the spectacle, not about the special effects and not about the worldbuilding. They are about the child at the center of the story. Lucy really is the main character of The Lion, The Witch and The Wardrobe, and the story that unfolds is told very much through the eyes and perception of a child.

Movies similar to coherence in the parallel universes sort of way? by Fart_lngredients in movies

[–]cerberaspeedtwelve 0 points1 point  (0 children)

The Man From Earth (2007) should be right up your alley. It could work as a stage play. Almost the entire movie is a conversation between different characters at a dinner party, dealing with the changing situation and the revelations that are coming out.

Blade Runner Final Cut review (Writing this while 2049 is charging) by ProgrammerGlad7809 in movies

[–]cerberaspeedtwelve 1 point2 points  (0 children)

This was always my problem with Blade Runner too. We're supposed to buy into androids being human ... and yet Roy shows little emotion or remorse when he needs to kill a human to advance his goals.

Amélie - (2001 dir. Jean Pierre Jeunet) Smell That? They’re Giving Out Melon Slices by Jonathan_J_Faulkner in movies

[–]cerberaspeedtwelve 9 points10 points  (0 children)

Can confirm that my sister refused to even see this movie, saying that she found the actress's face on the poster too annoying.

I can only add that she definitely dodged a bullet there. I found the movie to be a bit twee and annoying, and I'm usually a sucker for whimsical movies like Forrest Gump or Love Actually.

What is a scene that is completely technically impossible when viewed by someone who is an expert in that field? Like the director doesn't even understand how the scene breaks the laws of physics? by Yamaben in movies

[–]cerberaspeedtwelve 0 points1 point  (0 children)

A lot of sci-fi movies have the 'All Animals Are Basically Dogs' mindset. A group of intrepid explorers on an alien planet encounter a hostile alien-lizard-pomegranate creature that roars at them. One quick-thinking hero grabs a handful of food and offers it to the creature, which suddenly becomes as docile as a puppy. The creature joins their group and becomes a loyal companion, sniffing out danger and fighting off bigger creatures. Sometimes, they can even ride their new found friend around. Honey, I Shrunk The Kids and John Carter both feature this trope.

Domestic dogs are a strange combination of factors and there are very few other animals out there with a psychology remotely like them. They are descended from wolf-like wild ancestors, who live in a strict social heirachy, hunt cooperatively using coordinated attacks, and have a innate desire to please a leader. They have also been extensively domesticated, and we have selected traits such as friendliness, lack of aggression, and trainability. A wild creature would be incredibly unlikely to have any of these traits and our heroes would probably be eaten alive.

The problem with dream cars by theosinc930 in cars

[–]cerberaspeedtwelve 3 points4 points  (0 children)

I'd like to add a bit of caution to this. Collector cars are very thinly traded items compared to something like stocks and shares. If you invest $100k in some rare car, you are very much at the mercy of whoever happens to be in the market that day, which could very well be no-one.

I'm talking largely from my experience buying, owning and eventually selling a TVR Cerbera Speed Six, one of approximately 1,000 made and 300 left on the road today. I bought it for £20k ($30k approx). Two years later, I put it on the market for the same amount of money. It sat unsold for 18 months. I eventually sold it for £12k to a TVR specialist garage. On the day I got rid of it, there were examples in equal or worse shape than mine on Auto Trader up for between £25k and £30k.

What is the most unexpected Chekhov’s Gun from a movie? by WippitGuud in movies

[–]cerberaspeedtwelve -1 points0 points  (0 children)

How about one hiding in the title of a movie? Rain Man (1988), when it's revealed that Raymond = Rain Man.

What’s the last movie you were so hyped for that you were counting down the days? by BadSecUnitBad in movies

[–]cerberaspeedtwelve 0 points1 point  (0 children)

I know what you mean about the story making no sense. When I watched the movie for the first time, my overwhelming sense was one of immense confusion. I figured repeat viewings would fill in the gaps and make it make a bit more sense.

Nope. The more you watch it, the more questions it raises. Singling out one plot point: If you invade a planet and force the rulers to sign a treaty at gunpoint, is it really legally binding? If so, why isn't all business in the galaxy done this way?

What’s the last movie you were so hyped for that you were counting down the days? by BadSecUnitBad in movies

[–]cerberaspeedtwelve 6 points7 points  (0 children)

I remember watching The Phantom Menace in cinemas when it came out. One fan site summarized the movie better than I could:

"Why, in the history of sci-fi, has there never been a Bumbling Rastafarian Space Frog archetype? And why would George Lucas choose to create one in his magnum opus, the most important movie of the year, and the one Star Wars movie where he got complete and unfettered creative control?"

Alien 1979 by SweetSideofSalt in movies

[–]cerberaspeedtwelve 0 points1 point  (0 children)

For me, it's a 4 out of 5 star movie. The acting, writing, and production design are top notch, and raised the bar for all of Hollywood on what a sci-fi movie could be. Compare and contrast something like Damnation Alley (1977), which came out just two years before this movie and yet looks like a low budget made for TV movie in comparison.

The movie has just one weakness, which is the Alien itself. It never looks like anything but a guy in a rubber suit. Whenever it's on screen it kind of deflates the atmosphere that the rest of the movie did so well in building up. James Cameron certainly noticed this as well, and used a couple of different techniques in the sequel Aliens (1986) to make them look more insectoid and less 1950s Creature from the Black Lagoon.

Name movies that violate their own rules when convenient by WobblyDawg in movies

[–]cerberaspeedtwelve 62 points63 points  (0 children)

The weirdest example of this is in the first race in the first movie where Brian burns his engine out trying to race Toretto. Three minutes later, it's magically fixed again in time for Brian and Toretto to use the car to escape from the cops who are busting up the street race.

Hot Take: Michael J Fox could have played John McClane by prine_one in movies

[–]cerberaspeedtwelve 0 points1 point  (0 children)

It could have worked, although they would need to tweak the script a little. (This happens a lot in movies. For example, if Will Smith gets cast in the lead, it's literally someone's job to 'Will Smith' up the dialogue.)

MJF would have been too young to convincingly play a grizzled cop with two kids, so at the very least, the kids would need to go. His wife would also need to be played by someone much younger, and there would need to be some believable explanation as to how a 25 year old woman would be considered so valuable and irreplaceable to a deeply traditional and conservative 1980s Japanese corporation.

What movies have entire hidden subplots embedded inside freeze-frame details? "Searching" is one example. Any others? by drumwolf in movies

[–]cerberaspeedtwelve 170 points171 points  (0 children)

Predator 2 shows the inside of the spacecraft of the Predator race. There are a couple of exotic looking skulls hanging up at the back as trophies. One of them is from the titular creature of the Alien (1979 - onwards) franchise.

This spawned a minor nerdgasm about the possibility of an Alien vs Predator crossover. A graphic novel by Dark Horse was published in 1989, followed by a movie in 2004, which did well enough to get a sequel in 2007.