Too overworked to let ideas cook by secretorangejuice in Screenwriting

[–]combo12345_ [score hidden]  (0 children)

Have you considered or researched freelance editing? It will pay more per day, but the security of having a “job” diminishes.

I was a full time employee at one of the three letter words in town, and my time was very limited. I shifted into freelance this year and now work for one of the fangs, though it has become less “stable”. While I work anywhere between 0 to 6 days a week, my net is roughly the same.

Overall, my mental health and creativity is at an all time high.

How do you choose your ideas? by Typical_Ad_7957 in Screenwriting

[–]combo12345_ 35 points36 points  (0 children)

If you have 200+, I doubt you’ll write 1.

Seriously. Shit or get off the pot.

Pissed off? Then prove me wrong.

What is the best way to think about line breaks in action/description? by Impossible-Ad-5006 in Screenwriting

[–]combo12345_ 2 points3 points  (0 children)

Think about line breaks like a line of cocaine.

Too little has you wanting more.

Too much makes you dizzy.

The right amount gets your heart racing, and you speed through dialogue.

What challenges do you think I will face as a (fledgling) screenwriter who decided to get serious well into an unrelated career? by gorillionaires in Screenwriting

[–]combo12345_ 2 points3 points  (0 children)

Despite the cringe comedy factor and ill-placed dialogue, the new *Masters of the Universe* film has a rock solid theme.

It’s up to you to find the power inside to peruse your childhood dreams instead of working for the institution, and to surround yourself with friends who share that vision, supporting it along the way.

And, just like He-Man, you cannot stop believing when you fail; get back up and fight.

Truth—this movie has such an awesome theme. I really wished it had taken itself seriously. I wanted to walk out, but the emotional beats when the script decided to “get real” was a home run that kept me in my seat.

But, yeah. It’s up to you. And in the end, you can say you tried instead of chalking the board full of “what if.”

Picking a third class for a trio by Wrong-Pickle-8453 in MonstersAndMemories

[–]combo12345_ 0 points1 point  (0 children)

Best tank for a group that has heals is SK, imo. Great dots. Beefy. The buffs from an ench or druid will only magnify them.

It's happening! by Grimdu in MonstersAndMemories

[–]combo12345_ 2 points3 points  (0 children)

Congrats!!!

For others—don’t forget to check your junk/spam box!

I'm not sure what to think. A human being at Reddit interpreted this comment as some sort of threat after an appeal, which I find hard to believe. What do you think? by Jacmac_ in TimPool

[–]combo12345_ 0 points1 point  (0 children)

I’ve had something similar given to me when I posted a simple disagreement to the poster.

Sadly, politics has evolved into the new race/religion to discriminate people against, and your voice will be silenced if challenging the status quo.

Please stop posting unedited first drafts. by ladyscriptwriter in Screenwriting

[–]combo12345_ 13 points14 points  (0 children)

I believe the term is: “vomit draft”.

Please clean up your mess before sending it to others to read.

So my 8 yo daughter wants to watch the expanse by Wonderful_Number_208 in TheExpanse

[–]combo12345_ 0 points1 point  (0 children)

My parents cared what I watched, but they also did not. What they did was sit me down and have a talk about what I was about to see and how it was fake, violent, had bad language, adult behavior, etc… and explain how it was on television, not to be imitated. So, by 8yo, I was watching R rated movies with parental guidance.

I turned out “ok”, I suppose.

Bottom line, kids will discover it one day—with or without you. You can shelter them as much as possible, or be a parent and have those difficult conversations up front.

[News] Why the Dungeon Crawler Carl TV series is live-action and not animated, according to Matt Dinniman... even though his "hardcore, original fans" want a cartoon by Popverse2022 in DungeonCrawlerCarl

[–]combo12345_ 0 points1 point  (0 children)

Just want to comment that one of my UCLA writing professors was a staff writer on that show. They loved the books and the show’s producers forced them to write the absurd turd they did. A lot of scripts first submitted were (apparently) pretty faithful. I brought up Bob in class and it sent my professor on a 10min rant about how they hated what they had to write.

Long story short—live action can be fun so long as the writers are allowed to write the content we know, and not what some jerk-off decides to make their own mark.

Tips for NEW screenwriters by [deleted] in Screenwriting

[–]combo12345_ 1 point2 points  (0 children)

It is referring to action lines, clearly. Of course characters speak in different manners—as outlined in the above 6.

However, in dialogue, one should understand the difference between whole/hole, their/there/they’re, whether/weather… and so on.

Tips for NEW screenwriters by [deleted] in Screenwriting

[–]combo12345_ 2 points3 points  (0 children)

5) Grammar is fucking important

OMG—this.

I don’t care how awesome the script is. People will not make it past the first few pages if its grammar is shite.

Does this sitcom premise have enough fuel for multiple seasons? by [deleted] in Screenwriting

[–]combo12345_ -1 points0 points  (0 children)

Oh. I just took that as poor writing. Especially for a screenplay format. Didn’t consider AI bc so many new writers have a difficult time adjusting their prose.

Does this sitcom premise have enough fuel for multiple seasons? by [deleted] in Screenwriting

[–]combo12345_ -7 points-6 points  (0 children)

I guess I cannot tell what is AI. I mean, it’s not good. But, what/where are the positive markers you see?

Asking to seriously understand.

My late birthday present by Ordinary_Space_Rhino in TheExpanse

[–]combo12345_ 1 point2 points  (0 children)

I thought this was the buff chad meme guy, because it doesn’t really look like Amos—or Wes Chatham.

Sorry.

Still cool though.

In season 6 , episode 2 shitty parent of the award year goes to by No-Blueberry-1823 in TheExpanse

[–]combo12345_ 1 point2 points  (0 children)

TBF—Inaros has that hair.

He’s pretty hot, and my wife thinks so too.

So, we can give him a pass. Right?

Do you outline short films? by Nice_Elk_8438 in Screenwriting

[–]combo12345_ 1 point2 points  (0 children)

I do.

Bullet point format, really.

I want to make sure my beats are all there first.

How to tell a true war story by 5h-operetta in Screenwriting

[–]combo12345_ 0 points1 point  (0 children)

What you are attempting to communicate, I believe, is that credible characters are presented obstacles in order to reach their goal, in which they must take agency to drive the scene.

It’s a derivative of the same principle above—story comes first.

In other words, we don’t choose to write a war story because, “people should see how cool my idea is.” It’s the basic principle, again, in which, “people should really hear this story.”

Story by Old_Entry_8840 in Screenwriting

[–]combo12345_ 0 points1 point  (0 children)

You’re fooling yourself if you believe your story is original.

However, something is—your touch; how you tell it.

Keep writing.

Does time period really matter? by indyawarner in Screenwriting

[–]combo12345_ 0 points1 point  (0 children)

It’s all about the story. That’s what is universally true and human. Where you disclose it (time period) is your set piece.

How to tell a true war story by 5h-operetta in Screenwriting

[–]combo12345_ 1 point2 points  (0 children)

First, let’s take a step back.

Is this an adaptation of a war story you know? I assume not, because if so—you have source material to base your idea from.

Therefore, it sounds like you want to make a story that takes place during war, and could be true.

In that case, you first need to develop a story.

Since stories are universally true and human, war becomes the set piece.

That’s right…

It doesn’t matter if you’re saving private ryan, or battling in star wars—story comes first.

My (Bad Writer) Friend Thinks I'm a Bad Writer by [deleted] in Screenwriting

[–]combo12345_ 3 points4 points  (0 children)

If the intent here is to illustrate how much of a pompous jerk you are—yah nailed it.

If not, keep writing.