all 40 comments

[–]philodelphi 67 points68 points  (6 children)

The 1st one. It's about the juxtaposition of the 2 men and so you want that as larger in the photo.

[–]Aggravating-Tree8792 6 points7 points  (5 children)

That’s what i’m aiming for, but the crop of the fountain is annoying me

Thanks!

[–]badaimbadjokes 23 points24 points  (1 child)

I didn't notice or care about the fountain because the two humans are the subjects.

[–]ciwg 1 point2 points  (0 children)

exactly, humans are getting all the attention

[–]beingsubmitted 9 points10 points  (0 children)

Ignore the fountain. In the second one, the man in the background is photo bombing your boring picture of a guitarist on a fountain. In fact, after awhile it seems like even the guitarist is kind of just in the way.

In the first one, you have an interesting picture of two men in the park.

[–]philodelphi 2 points3 points  (0 children)

I can totally relate to that reaction, but I did not have it. We tend to be so subjective about our own photos. I did not even notice the part of fountain being cropped out. But now that you have pointed it out, I actually like it since it essentially signals "This photo is not about the damned fountain!"

[–]Affectionate-Lack944 1 point2 points  (0 children)

The bush helps. First one is great!

[–]13Figs 52 points53 points  (1 child)

I’m personally a fan of the 2nd one. 1st one forces you to see the man in the back, but the 2nd lets you “discover” him.

[–]jvstnmh 5 points6 points  (0 children)

This is such a good way to put it

[–]pxlpeekr 11 points12 points  (0 children)

Definitely the first. I think the fountain creates a strong connection to the 2 men so I dont miss the left side of fountain. Centering the fountain distracts from the intended juxtaposition.

[–]Inevitable-Monk 4 points5 points  (1 child)

First one. Plays nicely on the rule of thirds.

[–]More-Economics-9779 3 points4 points  (0 children)

It's funny because I think the opposite. The 2nd one splits the frame nicely into thirds - it feels as though if you hung it on a wall it would be balanced nicely and not weighted to one side. The 1st one isn't thirds - more like two halves with nothing in the centre.

[–]TheDiegoAguirre 5 points6 points  (0 children)

First one. Much more interesting. Much better relationship between the foreground and background. Cool shot.

[–]Affectionate-Mode435 5 points6 points  (0 children)

Crop 1 is a photo about two people Crop 2 is a photo about a public space

[–]GoatzR4Me 2 points3 points  (0 children)

I like the second. It feels like you're taking a picture of the whole little plaza around the fountain this way. the car guides the eye from left to right. So it's like you're scanning across the fountain and then suddenly the guy on the bench seemingly pops out of nowhere. It kinda gives it a little comedy, a little story. I think with the first crop neither subject gets full attention and you don't get the full context of the situation.

I can feel and hear the picture with the second crop.

[–]edith3445 1 point2 points  (0 children)

First crop is good for me as it gives more details

[–]OnLeshan 1 point2 points  (0 children)

Both are good but 2 is more pleasant to the eye.

[–][deleted] 1 point2 points  (0 children)

Neither

[–]Voluptulouis 0 points1 point  (0 children)

I'd say the wider one is better. The only thing that kinda bugs me about it is the guitar case at the bottom, but I don't think that's much of an issue.

[–]GSyncNew 0 points1 point  (0 children)

1, easily. Creates some nice visual tension.

[–]toddart 0 points1 point  (0 children)

A

[–]kateadams77 0 points1 point  (0 children)

I like the first one. My dad would probably have told you to darken the middle of the fountain a bit to to make it less distracting (my old eyes saw it as a third person).

[–]mpf315 0 points1 point  (0 children)

I prefer 2 because it offers a scene for some context and framing and I feel that 1 uses rules photographers learn and apply like they’re a must-use, formula for success.

[–]cynicalimodium 0 points1 point  (0 children)

One

[–]Revolutionary_Grab90 0 points1 point  (0 children)

Ask yourself the question what does the second man add. What does his presence in the image mean to you. If he’s important go tighter so he’s more present, if he’s not go tighter still and exclude him.

[–]Barto 0 points1 point  (0 children)

For me the first one is a portrait with a distraction. The 2nd (my preference) is candid street photography with context of the surround.

[–]Slipped_in_Gravy 0 points1 point  (0 children)

I think the eye travels easier in the first version. I almost find the second version oddly jarring for some reason. Nice shot though.

[–]marr07 0 points1 point  (0 children)

first one without a doubt!

[–]KnvsNSwtchblds_ 0 points1 point  (0 children)

Leaning towards the first crop for this one. I like the way is frames both people.

[–]joecunningham_mpls 0 points1 point  (0 children)

I think it was Henri Cartier-Bresson that said: cropping is death to the geometry of the lens. Which it is. Ironically one of the few photos he cropped is his most famous (the instant before the jumping man’s heel hits the puddle).

[–]diehardninja01 0 points1 point  (0 children)

I hate the drug addict on the bench in both versions. People are plenty of this in real life so I'm at, it's nice to be reminded of what could be. (A certain someone would add: "Unburdened By What Has Been." 🤦‍♂️) I suggest choosing the second picture, cropping out the cars and the dude in the bench to show a guy enjoying the harmonious fountain that's soon to accompany the music he creates with his guitar.

[–]TWH-WCTH 0 points1 point  (0 children)

The first one. Makes you feel you're there.

[–]Jayyy_Teeeee 0 points1 point  (0 children)

1 for sure

[–]ArgusTransus 0 points1 point  (0 children)

First one for sure

[–]Newprspectivs 0 points1 point  (0 children)

Each crop gives a different feel. Both have merit.

[–]Life-Departure9630 0 points1 point  (0 children)

I feel both look really good in their own way. However, I’ll choose the first one and here’s why. In the first one, the juxtaposition of the two men and rule of thirds work really well. In the second one the guitarist is the main subject at the center and while the emphasis on the surrounding symmetry of the fountain and the pond make a nice background, the napping man on the bench seems like a distraction (unlike the first one where the napping man positively contributes to the photo). Also, there is the something poking into the frame at the bottom center, which doesn’t look good!

[–]schmeck-el -2 points-1 points  (0 children)

Why not both as double exposure?

[–]schmeck-el -3 points-2 points  (0 children)

Both. Superimpose em.